“god loves detroit” is terrence parker’s new album due for release june 30th on planet e communications (detroit). this new album features tp collaborations with coco street, and additional projects with merachka (who co-produced, co-wrote, and sings on the first single entitled “don’t waste another minute” which also features a remix by london’s as i am) released in february 2016.

hot on the heels of skarn division s successful launch in december of 2016 and its inaugural, well-received four-tracker skarn which featured an original track and 3 remixes from positive centre, plukkk and yuuki sakai, italy-based label founder and author of the original work federico amoroso has made an indisputably wise decision and commissioned 5 more remixes to be produced by the stellar representatives of high quality techno discipline. needless to say, when you bring together the heavy-hitting and well-established takaaki itoh, stingrays, lucindo and paul birken who have it for a principle to bar no holds when it comes to production, you can expect a rather strong output, but even dj surgeles, who is normally known for contemplative, leisurely-paced deep space vibes has turned quite mean and put forth a kind of stomper that has the potential to wreck some serious havoc on the dancefloor full of action-ready technoheads.

dusky present the latest 17 steps release with the cold heart ep, a four track package that cements their ability to craft a unique range of house and techno soundscapes. having spent last year releasing their outer lp, as well as delivering their second acclaimed essential mix and touring a new live show, the cold heart ep sees the prolific duo return to their roots in textured house and techno with four powerful dj tools. with a nod to vintage new york house through a carefully sourced vocal sample, lead track cold heart is a blissed out, atmospheric house epic that blends crisp percussion, soulful hooks, washing pads and a hypnotic lead organ melody. a favourite from the duos recent dj sets, psychic life coach shuffles with dubby grooves, skippy drums and ethereal vocal cut-ups, before bowed offers a high energy dose of cosmic disco and ravey techno flavours, rounding things off, closing track balfour betty is built around warm, swirling synth textures that meet at the intersection of detroit techno and vintage progressive trance.

before coming back in september for a new year of new releases, lddlm gives you their current mood and state of affairs in the form of a sampler 12inch grieve not, but try again. luke abbot s mix of easters champagne has been in our drawers since the very early days of the label but still shines as new. no dust gathered. easters synth pop is turned into a slow, yet nor chugging, futuristic r n b number. this is our conception of sunrise music. tom of england grasps the metallic fury of mutado pintado s classic lazy boy and chops it in a grinder. decomposition / re-composition with of high industrial standard. a scene from a future, a from-a-lost-tape edit by our underbuy manfredas has been one of our biggest club tracks for the last year. check his recent boiler room ending to know how warped yet strangely hit-like it is. finally, cowboy rhythmbox decided of their own accord to do a club edit of golden bugs physical disco. we liked it, we release it. simple and effective. jugular attack

“fly with me” glides effortlessly through west coast aor in a unique hybrid japanese-hawaii fashion, uplifting the listener with inspiring sound and lyrics. “time machine” is high-energy cosmic disco jam that lends itself to japanese enka, yet maintains its playability through simple yet strong songwriting. whenever we listen, it’s as if aiko has invited us to join her as she soars through the after-life, flying “higher and higher as a bird”, traversing a space “where anything is possible”.

quality reissue of the highly sought-after promo 12 inch of the legendary idris muhammeds incredible 1977 disco classic *could heaven ever be like this* - eight and a half mesmerising minutes of hypnotic slow-building disco-funk huge on the early nyc disco scene which became an anthem at mancusos loft parties and is still in high demand today. on the flip, *tasty cakes* is a nice lighthearted disco bubbler but the clear go-to track on this side is the awesome hot funk groove of *turn this mutha out* as sampled by to great effect by moodymann for his amerika kdj release. essential!

prime are delighted to announce the long-awaited official 12 inch re-release of probably the most revered paradise garage anthem of all time - m.f.s.b. feat the three degrees and the now legendary -love is the message-. originally released in 1973, -love is the message- has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from tom moulton which is always a £25-30 record if you ve ever been lucky enough to find a mint one and copies of the rarer u.s. 12- with the long mix are like gold! worry no more as the quality on this 12- is from the best master and 100% sanctioned by sony music. on the flip we are proud to re-release -t.s.o.p. (the sound of philadelphia)- aka the official soul train theme, using tom moulton s full original 5.42 mix. another piece of significant dance-floor history. as double-siders go, it really doesn t get any better than this. there is already high-demand from lots of djs needing to replace their battered copies so accept no substitute. this is the real deal.

versand ab 03.07.2017 , after a short break salty nuts is back with the first various artist release on the label. diego krause delivers a classic house tune which shapes the vibe and mood of the whole record. smabes is another special mannheim collaboration. sebastian werle (sedee) & fabe teamed up for a funky bass break beat tune which keeps emotions high...
on the flip: side the new, fresh duo mishel a & lost.act from moscow are adding maximum groove to the record with an advanced swinging beat that brings the right energy to the dance floors.
vinyl only release

mathew jonson’s “decompression” was first released on minus in 2004. to celebrate 13 years since it’s release mathew has commissioned 11 artists to remix this classic split over 4 releases. the first ep of the series features remixes from dbridge, konrad black and nathan jonson, each artists contribution provides a fresh approach to a package fuelled by the influence of drum & bass. dbridge steps up for two remixes, the first is warped and deconstructed, the second a high energy drum & bass belter. konrad black slows things down with a darker groove whilst nathan jonson’s ‘rewind to 96’ utilises rave tropes and chopped vocal samples. the package is a magnificent addition to the legacy of ‘decompression’ and coming next will be remixes from seth troxler, deadbeat, mike shannon and natalia escobar. mathew jonson’s “decompression” was first released on minus in 2004. this is the first release on mathew jonson’s new label entitled “freedom engine” mastered at scape mastering

shadowy multidisciplinary artist & videographer denial.of.service returns to film for an extended ep of wrought iron electronics, channeling the spirit of classic electro, industrial & noise. the artist, active since the 1980’s producing video work for a host of high profile names - including not least david bowie, currently transmits sporadically from an undisclosed location, though contemporary work has appeared on the creators project, as well as making the vimeo staff picks on an almost regular basis. recently, video commissions for minimal wave & jealous god affiliate in aeternam vale have ap-peared online, showcasing the artist’s trademark crushed, hallucinatory visual aesthetic.

back at the counter... same faces, new stories. comberti opens up with a tale from a journey to some far away psyche truths. zk bucket butts in with a more rugged sound... tinny synths, shooting tambourines that cause you to hide under the ground. the faster b-side comes with mattlack and a closed arrangement for high fidelity freaks... layers on layers. sode closes with a track for the simple minds – like me and you... ready to spin?

emerging from what sounds like the unknown depths of outer space, new artist icore drops a debut ep on osiris music uk lled with ve exercises in hypnotic, polyrhythmic tension. the a-side’s two tracks ’sigil’ and ‘status field’ feel like two parts of a whole, each establishing a minimal, kick-heavy march in 6/8 that would perfectly ll the cavernous hull of an abandoned mining vessel, lurching through empty parts of the galaxy to the sound of ominous drones and malfunctioning, high-end bleeps. the b-side is more cinematic in its scope, with opener ‘substance from shadow’ summoning a distinctly b-movie vibe in its melody, before both ‘claimed by night’ and ‘axiom’ retreat into darker, more ambient territory, the former thick in sub- bass kicks, the latter ramping up the dread with unnerving repetition.

2017 repress due to high demand and crazy online prices!! santuri s embaire umeme ep got a worldwide premiere from gilles peterson on a never-ending quest to support and exposure far off musical cultures around the world, the next on the corner releases sees them look to uganda. teaming up with santuri (an east african electronic music innovation project) and soundthread (a creative development non-profit), they have worked alongside the mugwisa international xylophone group with modern recording techniques and further re-arrangement on two remixes. the first, by sam jones, was premiered last week by stamp the wax, and today ushers in the second by alejandro mosso. a thudding kick drum at the first beat aims this one straight towards the early evening dancefloor. working in unison with samples from the giant wooden xylophone and conversations between the musicians, serves to place the track back into its original context and is allowed to settle for a couple minutes, before what sounds like a kora or zither brings a far-eastern twist. with the slow-burning, steady elements of a balearic production and the beguiling hypnotism of steve reich s work this is a big worldwide favourite.

fouk are finally back on heist after their great ‘kill frenzy’ ep in 2014 and have taken mount liberation unlimited along for a remix. we’ve been waiting patiently for new material, challenging the guys to take the signature ‘fouk’ sound to the next level. fouk’s brilliance has been obvious on recent work for their own label outplay and razor ‘n tape, as well as their respective solo projects. we’ve kept a close connection, teaming up whenever possible for heist showcases, with highlights in amsterdam’s “claire” and paris’ “concrete-. seeing their work and enthusiasm made it abundantly clear that it would only be a matter of time before they’d show us what the next step would look -or better yet- sound like. anticipation ran high but boy, do fouk deliver. the excellent ‘with lasers’ ep still very much portrays their own style of loose, live percussion and many layers of funk, but they’ve expanded their vision and even toughened up a bit. their new taste for grit and an interest in the heavier side of funk is probably most evident on the opener ‘f3000&#8242,,,,,, where a thunderous arpeggio is supported by distorted drums and lush cosmic synth stabs. title track ‘with lasers’ is more of a classic fouk track, combining a lovely walking disco bassline and their signature drum programming with… erm… lasers. lots of them. the b side ‘see you on the other side’ sets a different pace, carefully blending guitar licks, rhodesy chords and vocal chops into a lovely groove that feels just as carefree and improvised as it feels exciting. swedish synth nerds “mount liberation unlimited” ran with it and transformed it into a dreamy -pepe bradock goes balearic- track where airy echoed guitars take turns with some equally dreamy and evocative pads.

former half of the defunct pitch & hold duo under the banner of which he operated from 2006 to 2011, simon halsberghe steps up on brussels’ very own vlek with his debut solo ep as simon hold. first heard on vlek s 2016 mix for resident advisor as they were appointed label of the month by the high­ranking platform last autumn, maqam bruxelloise reflects the wide­angle beauty and compelling diversity of the belgian capital and its throbbing heart, a city at the confluence of cultures and languages. across a finely­layered interplay of synthetic modulations and intricate polyrhythms, hold lays out a riveting kaleidoscope of pattern­welded textures and prismatic synth motifs played and arranged accordingly to a contemporary interpretation of the traditional arabic maqam system of improvisation the track draws its title from. an ode to brussels all­embracing effervescence. translating as -soft drone- or -pleasant noise-, the gritty dhajij doux then welcomes you into a more disquieting, bipolar audio scenario that evokes the reality of living -in a sometimes difficult and hostile city-. a curiously matching negative of the opener, in this that it taps into the same generous and plural matrix universe as main source of inspiration, but eventually opens on a more nuanced outcome, here hold clearly shows a further abrasive facet of his work: harsh and vibrant, the track may be replete with a lead­heavy amalgam of sizzling bass and jagged drumwork thrown into the furnace, light and hope still manage threading their way through dark clouds and turbulence, slowly but surely turning this rough­hewn stone into a truly haunting gem.

mysterious numbered white label from buddy broke. deep and jackin’ madness with rumbling bass lines and crazy hooks combined with heavy jams reaching the outer-worlds. super limited pressing of this one so don’t sleep.

nice price deal !!! an implacable, trash-and-ready son of sleng teng — bleeping, buzzing, knocking, dripping, reverberating, unresolved in nine minutes — and a high-pressurized, quick-loading hyper-grub into star wars. the sleeve is de-bossed, with metallic ink. the tracks are exclusive to this single (and wont appear on actress new hj album, out early spring

“once in a long, long while...” is the follow up to 2014’s “0”, which earned karazija a large new audience after his music was discovered by iconic japanese video game creator hideo kojima. kojima used low roar’s “i’ll keep coming” and “easy way out” on two high-profile trailers in 2016 for his death stranding video game starring norman reedus, mads mikkelsen, and director guillermo del toro.

nice price deal !!! jackspot (brise rec. / international freakshow) ist back with three dubby and melodic clubtracks. after his great success with his feelin ep at brise records the portuguese guy comes again with high quality stuff. thumbs up for modern clubmusic.

since summer 2016, ‘keep on’ has been doing the rounds in the house music community, with support from some of the biggest names on the circuit playing the track on a week-by-week basis. initially made off the cuff as a tribute to chicago’s ghetto house sound and inspired by the dc10 terrace, the track went onto become something of a monster that the young scottish producer never anticipated. after 6 months after constant requests the track will finally be publicly available. upfront high and energy drums combine with brash vocal samples to make the track a dance floor weapon for a peak time dancefloor. on the flip ‘antonio’s keys’ takes things deeper, the track works percussion into more thumping 4x4 kick drums whilst the hypnotic lead line pushes the track forward into the early hours of the morning. limited to 300 hand stamped copie

photic fields usher a new name into the fold, switzerland s contra communem opinionem aka cco. the lux rec and mathematics alumni arrives with the road to the stars, five tracks of his trademark acid elegance. the ferocity of the 303 has been sheathed, percussion pared down with lush chords and deep warmth being the focus. house is the foundation from which cco builds. those time honoured sounds support cascading melodies and fragile keys for a 12- that borders between armchair abstraction, floor funk and the night sky.

suction records is excited to unleash the 3rd vinyl ep in our series of archival releases by a rx-101 aka dutch producer erik jong, who recorded hundreds of afx / rephlex-inspired tracks from 1997 to 1999, which remained unreleased until now. continuing with our roland sh-101 themed artwork, rx-101 s -ep3- pairs the 101 with it s acidic little brother, the infamous tb-303. there s been a lot of renewed interest and hype surrounding the revival of acid techno in recent years, but rx-101 s acid offerings are not the slow n slinky variety favoured by most of today s acid revivalists. instead, ep 3 contains 6 tracks of crunchy, blown out, high-octane rave acid. long-time afx/rephlex fans will recognize the sound immediately - the 6 tracks found on ep 3 are eerily reminiscent of those sought-after rephlex classics, the universal indicator series of 12inches - released anonymously by aphex twin and his kosmic kommando on rephlex from 1992-1995..

secretsundaze are proud to announce the second 12 in the dance 2017 series. the ep is once again a 3 tracker this time featuring the highly-promising emerging talents of dj slyngshot, bastien carrara and jayson wynters. dj slyngshot hailing from offenbach near frankfurt has had tongues wagging with three hot 12s on his own imprint yappin records and received club and radio play by the likes of omar s, floating points, ben ufo and jon rust. his contribution to the a side of dance 2017 part 2 sees him on fine form with the devastating rhythm of hygh-tech . kicking off with a rough and ready groove the hook is a gnarly nagging synth line that will worm its way into your brain. add a sampled wailing diva and some more jazzy interludes and you have a festival-ready high grade bomb on your hands! on the flip steps up france s bastien carrara. his dusty jams on the likes of rawthenticity and funkineven s apron imprint caught our attention and we roped him in for a track. here he presents the charming, breezy and breaky that time again . warm, atmospheric and groovy this is definitely one for long summer nights ahead. last up jayson wynters represents the uk! jayson made his debut on none other than mr g s phoenix g. imprint with the sub-aquatic unfamiliar territories ep. he is an amazing dj and selector able to play house / techno sets and also jazz, boogie, disco and funk sets where required at the likes of brilliant corners. chi kung is a bubbling, mystical percussive number with hand played drums and a perfect closer to the ep.

das coveralbum “radiodread” von den easy star all-stars erschien ursprünglich 2006 als nachfolger ihres kultalbums “dub side of the moon” von 2003. für “radiodread” diente radioheads album-klassiker “ok computer” als inspiration, und so wurde aus dem masterpiece des modernen rock ein energiegeladener und trippiger ausflug in die welt des dub & reggae. eine imposante liste namhafter gäste machte bei diesem spaß mit, darunter toots & the maytals, horace andy, morgan heritage, sugar minott, frankie paul, citizen cope oder israel vibration. nun erscheint das album in einer neuen edition mit 15 tracks, inklusive “high and dry” featuring morgan heritage, auch als limitiertes, goldfarbiges doppelvinyl im klappcover.

after one year of high energy industrial and punk-leaning music, kess kill presents something slightly more contemplative: the vinyl debut of the swedish act grand mal x. the solna based duo started in 2010 and was first known from the cassette scene, which was also where we stumbled across their work. drawing from a long and wide palette of influences — from osho dynamic meditation and eu highways, to artists like suicide, coil and rune lindblad — their music breathes an ethereal yet catchy air, a difficult line to tread. the fact that one of the members is active at the legendary experimental ems studios in stockholm might be the reason for the unusual amount of depth and maturity, steering the music sternly away from the plainly accessible. opener ‘late night call’ is a brooding and growling number perfect for setting the mood in any room or occasion needing an infusion of sweaty sexual energy. ‘speed of light’, the record’s most up-tempo song, leans towards both synth pop and electro-punk. on the flip ‘the trip’ does the exact opposite of the opener, winding things down both emotionally and energy wise, replacing sex appeal with lithium-lined angst, not unlike alan wilder at his deepest. ending the ep is ‘rabbit’, an unadulterated trip down a similarly named hole for those who feel like falling. summed up it’s the most abstract but surprisingly catchy kess kill release to date, an essential beacon in grasping the label’s concept.

trumpeter/ composer sefi zisling incorporates afro-jazz with psychedelic funk in this new solo project. sefi is known as the top trumpeter of tel aviv jazz & funk scene. while still attending high school, sefi performed with various funk and groove acts, laying the foundations for many more musical encounters and fruitful collaborations with other members of the ever-growing tel aviv music scene. sefi performed with bands such as the ramirez brothers, kutiman orchestra, funknstein, gili yalo, and many more. today, after fifteen years of recording and performing all over the world alongside almost everyone within the israeli music scene, sefi is taking a step forward to release his debut solo album.

a journey into deep soulful jazz & funk from the 1970s! praise poems vol.5 zeigt erneut, dass es bei musik immer auch um ein gef³hl geht. musik/ emotion/stimmung! jeder einzelne song auf diesem album ist ein meisterst³ck, das seinesgleichen sucht. diesmal mit dabei: gunn high school jazz reunion, keither florence, robert cote, plas johnson, charlie chisholm boss-tet, u.v.a.

drummer amir bresler, born in 89, has been established as one of the most sought after israeli drummers, performing in israel and abroad at prominent local and world stage jazz festivals. starting his musical education at the age of 13, amir was first exposed to jazz music at the age of 15 upon his enrollment for the jazz program at the thelma-yellin national high school of the arts from which he graduated with honors. in 2010 amir joined the world renowned bass player, singer and composer avishai cohen, in concerts globally. avishai cohen is considered to be one of the most successful jazz artists in the world today. amir also performed alongside visiting musicians like sam yahel, joel fraham, mark turner, kirk lightsay, dwayne bruno. in addition, amir played with various israeli artists among these are, daniel zamir, omer klein, kutiman, nitai hershkovits, yotam silbrestein, amos hoffman, gilad abro, shai maestro, to name a few. this release is comprised of two tracks, originally composed and recorded for meinl cymbals drummers-videos-series. these tracks were later chosen by amir to be officially released. the first track, afro golden line, is inspired by 70s african high-life music (specially from ghana and nigeria) this is an odd-meter afro-beat track. featuring sefi zislings distinct trumpet melody and uzi ramirez s playful guitar. the second track, fish, is taken from lbts old mixtapes (originally with vocals by kerendun). it was re-recorded at amirs studio while bassist beno hendler & keyboardist nomok composed the third part of the track. both tracks were produced with rejoicer.

local action and nts radio’s finn launches his new label, 2 b real, with a 12- of fast-paced, no-nonsense club tracks. finn first appeared in 2014 with ‘keep calling’ - an instant classic and one of the year’s best-received releases, played relentlessly by kode9, dj q, murlo, eclair fifi, scratcha dva and more. since then he’s developed a cult following as a dj, with a palette of regional us club styles, classic house and techno, grime & freestyle electro beyond his years - broadcast through his monthly nts show and his regular b2b podcasts, where he goes track for track with a dj he admires (such as uniiqu3, teki latex and conor thomas). 2 be real is finn’s new home for dance tracks high in thrills and low on bullshit. on 2br001, he draws on classic ghettotech for the melodic keys and urgent 909s of ‘late at night’ (with a more uk-indebted darkside mix on the flip), and teams up with resident swing ting mc fox for ‘lightwork’, a vocal cut inspired by detroit’s own legacy of hip house and ‘chant’ records.

thomas leer is an innovative electronic musician from port glasgow, scotland. he began singing for a local band at age 13, and was writing his own music by 18. by 1977, he had moved to london, where he fronted pressure, a clash­-esque punk group with fellow experimental scottish musician robert rental. after hearing kraftwerk, leer became interested in synthesizers – not long after, he was exploring the experimental techniques of eno, zappa, beefheart, faust, and can. in 1978, thomas released his first single, private plane / international , on his own oblique records that we reissued in 2015. 1979 is a 14-song collection spread across two pieces of vinyl clocking in at 70 minutes. leer says, 1979 was a great year for making music.

london-based producer, turntablist and artist touchy subject (numbers, astrophonica, medallion sound) unites dancefloor energy, technical wizardry and dub reggae movements on a 4 track release for irish imprint rua sound. the skyward ep draws on high speed riddims, junglist bloodlines, crunchy glitch and grinding low end pressure to deliver a fresh, creative 12inch full of tantalizing detail. support form fracture, sam binga, tmsv, moresounds, sam binga, itoa, jon1st, etch.

four high alert cyborg nightmare files. predictions of wars on hypergravity planet sectors in the distant future. fullmetal cyberspace. errand messages from off-world vegetation. “the mycelial body is as fragile as a spider s web but the collective hyper-mind and memory is a vast historical archive of the career of evolving intelligence on many worlds in our spiral star swarm”. support from.. perc, ancient methods, sunil sharpe, mumdance, joefarr, manni dee, j.tijn and jerome hill.

new verraco resurfaces from insurgency with rare sensitive excursions of techno & electro. high tech bleeping directly from the guts of medellín.

riding high on the success of his epoch ep in february, john monkman makes his debut on crosstown rebels with harmonix, a celebration of the moog voyager, whilst techno heavyweight matrixxman supplies the remix. a true master of his craft, monkman has been creating music for over a decade and his passion and experience shine through his productions. harmonix was born after the uk producer and dj limited himself to just one synth, resulting in “interesting harmonics and a rawness that comes from syncing the oscillators, combined with an overload hack that gives the sound a little more juice”. sophisticated and formidable, harmonix 1 and harmonix 2 are orchestrated around the legendary moog voyager, with charged high hats that fracture the driving beat. us producer and dj matrixxman completes the ep with an imposing remix, verging on cinematic and brimming with atmosphere. continually building on his solid reputation, john monkman has previously collaborated with pete tong, and released on labels including, kompakt, get physical and noir.

if god had a disco, the dj would be playing california gospel-soul group the supreme jubilees. “we won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “it’ll all be over.” prepare to dance and contemplate death all at the same time.

real d. burst on the scene last summer with his breakthrough track rhodes that . one year on and the release is still in high demand, fetching upwards of £50 on the cogs. matt & stu were invited to play at his party in his hometown of bordeaux late last year and the idea of an ep for wolf was discussed over the best red wine and cheese the southwest of france had to offer. in a strange but true story a 3d glasses company in silicon valley called real d came knocking and with the threat of legal action, his name had to be changed & real j. was born. another great addition to the ever-growing wolf music roster.

midnight riot returns to rio to join joutro mundo one of the hottest producers in the game. just in time for festival madness he delivers round 2 in his much loved brazilian boogie & disco series featuring joeblack, rafael fernandez & facchinetti. here we have 4 tracks of pure dynamite coming from the land of the hot groove. teasing us throughout with his trademark hypnotic acid squelches over a deep sun drenched horn sections, funky guitars & fluid keyboard hooks that makes you feel like summer will never end. its another album of total floor busters, the perfect high for all disco - funk & house jocks out there who love to drop a little bit of that south american magic for their sets. dj support dj harvey, horse meat disco, psychemagik, danny krivit, greg wilson, dr packer, pete herbert

2x12 inch lp, 180g vinyl, cut at 45rpm, with printed deluxe sleeve by designers republic.
on millions, olsson effortlessly spans genres including dance, indie, pop and more in-between. opener hold on - a collaboration with the sharp tongue of sweden’s mapei - leads with a classic hip-hop beat before breaking into a danceable indie swagger, and has already seen olsson achieve high profile acclaim from the likes of zane lowe, noisey and more. elsewhere on tracks such as this heat and satellite (only analog talks), olsson channels a 90s rave influence while also delivering a gnarled brit indie rock bite, which plays like the tripped-out love child of kasabian and jungle.

best works records label-owner andré lodemann is back with a new long-awaited ep on his imprint. it is the 20th release on the label. for this “birth” ep andré personally enlisted non-other than swiss duo adriatique for their remix skills aswell as new-comer producer fabian dikof. andré’s track “birth” creates contrasts using african-drumming inspired styles paired with techy-beat pro-gramming. starting more on a minimal tip the track works its self up to high-tension climaxing with an emotional break keeping the deeper moments intact. adriatique created a faster more club-orientated ver-sion paring the more hooky parts of the original with beat-sythn elements giving the track a more tribal feel. the second remix featured here come’s via fabian dikof the second main artist on best works records. it s great to have him remix andré lodemann at last presenting his masterful skills. fabian took a different path in his remix working more on the melodic hook but also creating a warm bass-laden soundscape that loves the dance-floor in its own right.

hip hop classics on 4x12 inch lp

das album aus dem jahre 1978 ist als lp-vinyl in limitierter auflage für kurze zeit wieder erhältlich! -return of the super ape- ist der abschluss der trilogie von den drei lps -scratch the super ape- (aka -super ape-) und -roast fish & cornbread- im zeitraum 1976 bis 1978 und wurde wie seine vorgänger in lee perrys studio the black ark produziert, arrangiert und abgemischt. die zehn stücke wurden mit dem musikern der upsetters eingespielt, die seinerzeit auch als interpret genannt wurden - auf den beiden songs -dyon-anasaw- und -tell me something good- kommt das gesangstrio full experience mit candy mckenzie zum einsatz. das frontcover wurde von lloyd robinson gestaltet und zeigt den riesenaffen als krass gebeutelte figur, die unter anderem das nachhaltig zerrüttete verhältnis von lee perry mit chris blackwell (island records) zum ausdruck bringen könnte.

nice price deal !!! this super cool white label has been floating around over the summer and now finally gets released. it features two booty style remakes of the classic . these two mixes have brought the original bang up to date with high end production and a house rhythm that is very,very infectious

the 2nd album from radiohead, originally released in 1995, now back on vinyl with download code included.

original motion picture soundtrack for t2 trainspotting on double vinyl, housed in a gatefold sleeve with download code included.

nice price deal !!! great follow up to the first jd music. the futuristic sounds, the high octane rhythm and the pumping beats - you certainly get hooked !!

the persuader makes his second appearance on parabel. delivering three high class tracks in true persuader spirit.

in this outstanding 12”, stk drops two beautiful analog jam moments in studio. the tracks are deep, raw and soul. the b side is an amazing re-interpretation of high tech soul by detroit veteran hero, gari romalis.

nice price deal !!! abm strikes back, after a break, with 2 tracks signed by gabriele rizzo, author in the past. of two great dark-electro experiments on roman label elex. he goes on with that sounds but combines to new trance and tech medium-high beats, full of obscure tension and rhythms according to techno italian tradition!

3 minimalistic techno tracks and 2 ambient works from stockholm producer and arsenik label boss dold.